Topical Imagery and Confucian Order in Chiang Wen-yeh’s Idyll of the Fields (1935)
As part of the roundtable ‘Theorising Modern East Asian Music: A Dialogue on Shared Sounds, Imageries, and Heritage’
With Marina Sudo and Anqi Wang
Topical Imagery and Confucian Order in Chiang Wen-yeh’s Idyll of the Fields (1935)
As part of the roundtable ‘Theorising Modern East Asian Music: A Dialogue on Shared Sounds, Imageries, and Heritage’
With Marina Sudo and Anqi Wang